Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Duccio di Buoninsegna
Polyptych No. 28 (detail) dfgn

ID: 06490

Duccio di Buoninsegna Polyptych No. 28 (detail) dfgn
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Duccio di Buoninsegna Polyptych No. 28 (detail) dfgn


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Duccio di Buoninsegna

1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.  Related Paintings of Duccio di Buoninsegna :. | judaskyssen ocb bon pa oljeberget | Gualino Madonna sdfdh | Descent to Hell | Christ Entering Jerusalem (mk08) | Altar Cross |
Related Artists:
CARLEVARIS, Luca
Italian Baroque Era Painter, ca.1665-1731
HEINTZ, Joseph the Younger
Swiss/German painter (b. ca. 1600, Augsburg, d. ca. 1678, Venezia)
Pedro Blanes
1878-1926 Uruguayan painter. He first studied painting and drawing as a child with the Catalan painter Miguel Jaume i Bosch. As an adolescent he moved with his family to Spain, where he studied at the Real Academia de Bellas Artes de San Fernando in Madrid and frequented the workshop of Santiago Rusieol. After studying in Paris with Benjamin Constant, he visited Italy and Mallorca, where he first developed his talents as a landscape painter before returning briefly to Uruguay in 1899. During another prolonged visit to Europe from 1902 to 1907 he enthusiastically studied the work of Pierre Puvis de Chavannes, Lucien Simon, Henri Martin, Claude Monet and James Abbott McNeill Whistler. After his return to Montevideo in 1907 he painted shimmering Impressionist-influenced landscapes such as Palma de Mallorca and treated local rural and urban scenes in which he established himself as a remarkable colourist. He also commemorated subjects from Latin American history in works such as Artigas Dictating to his Secretary Don Jose G. Monterroso , the equestrian portrait of General Galarza and Artigas in el Hervidero.






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